Essay on the Theme of Escape in The Glass Menagerie -- Glass Menagerie

The Theme of Escape in The frappe zoological garden The Glass Menagerie, a play by Tennessee Williams, is set in the flat of the Wingfield family, housing Amanda Wingfield and her two children Tom and Laura. The father left many old age ago, and is only represented by a picture on the living room wall. The small, dingy apartment creates a desperate, monotonous feeling in the reader. none of the Wingfields has any desire to stay in the apartment, but their lack of finance makes it impossible to move. Escape from this monotonous and desperate life is the main alkali through start the play. The different characters in The Glass Menagerie have their own someone ways of escaping from their realities. Tom Wingfield, the main character and narrator, probably has the one that near clearly relates to what we usually call escaping. His dream is to get remote from the finished place in which he is currently living. He is tired of provide his mother and sister without getting anythin g but remorse in return. too soon in the play we provide see this urge to get away(p) through his frequent visits to the movie theatre. To him the movies serve as windows into another humanity, an exiting world filled with fun and challenges. Another thing that it is worth mentioning when speaking near this is Amandas attitude towards the movies. She thinks that he spends too much time on the movies, and she keeps dogged him for it. I believe that this is supposed to tell the reader that Amanda has some physique of feeling that Tom sometime will follow in his fathers footsteps, and that she is seek to prevent this from happening. For Amanda this is a very natural reaction with Tom out of the apartment there would be nothing left for her and her daughter to apply from.... ...ot a way of solving your problems, and that true freedom only can be found through confronting your problems, not by running away from them. Works Cited and Consulted Bloom, Harold. Introduction. Tennes see Williams. Ed. Harold Bloom. New York Chelsea House, 1987. 1-8. King, Thomas L. Irony and Distance in The Glass Menagerie. In Tennessee Williams. Ed. Harold Bloom. New York Chelsea House, 1987. 85-94. Levy, Eric P. Through Soundproof Glass The Prison of Self Consciousness in The Glass Menagerie. Modern Drama, 36. December 1993. 529-537. Thompson, Judith J. Tennessee Williams Plays Memory, Myth, and Symbol. New York Peter Lang, 1989. Williams, Tennessee. The Glass Menagerie. In Literature An Introduction to Reading and Writing, 4th ed. Ed. Edgar V. Roberts and Henry E. Jacobs. Englewood Cliffs, NJ prentice Hall, 1995. 1519-1568.